Miso Music Portugal
Técnica vocal básica, noções de apoio flexível, diferença de colocação por alturas e colocação por vogais, uso do apoio flexível nas diferentes articulações, noções de "schwer-leicht": pesado - leve, ressonância baseada no conhecimento e domínio da vibração dos ossos, diferentes estilos, variabilidade de cor e peso, coloraturas, ornamentos, sem vibrato/com vibrato: noção de VB, vibração da borda das pregas, técnicas extensas: ruídos, glissando, etc…, uso da voz na música contemporânea. O workshop está orientado para seus participantes, portanto: traga seu problema e vamos tentar encontrar uma solução!
In this course, we will explore the various possibilities of contemporary composing for Voice Solo, as well as in combination with instruments and electronics. Aspects of semantic and phonetic texts are analysed using historical and contemporary examples. How does speech blend in an ideal way with other instruments? How can the human voice be used as an element of instrumentation? Students of all ages should be encouraged to present their own compositions to an auditorium, and to work with me. The stylistics is free. It is possible to submit individual songs, arias or choral pieces.
The workshop / lecture is primarily intended for beginners as an entry and decision support. It combines a guide into the world of analogue modular synthesizer systems with an introduction to subtractive synthesis, one of the basic and classic methods of analogue sound design. Using a portable Eurorack system, the peculiarities and complexity of an analogue modular synthesizer will be explained, as well as the individual modules and groups of modules and their diversity: Sound generators and sources (oscillators, noise generators), Sound shapers (filters, wave shapers), Modulation sources (LFOs, envelope generators, sequencers), Amplifiers, Mixers and Effects.